Hồng-Ân Trương uses photography, video, and sound to explore immigrant, refugee, and decolonial narratives and subjectivities. Her work has been shown in group exhibitions at the ICP (NY), the Nasher Museum of Art (Durham, NC), The Kitchen (NY), Nhà Sàn (Hanoi), the Irish Museum of Modern Art (Dublin), the Phillips Collection (Washington D.C), and the Museum of Modern Art (NY). Her work was included in the New Orleans triennial Prospect.4 in 2018. She was a Guggenheim Fellow in 2019-2020, the Capp St. Artist in Residence at the Wattis Institute for Contemporary Art in 2020, and a MacDowell Residency Fellow in 2022. Her writing has appeared in the Brooklyn Rail, Shifter Magazine, and most recently in Best! Letters from Asian Americans in the Arts, published by Paper Monument in 2021, and in American Art in Asia: Artistic Practice and Theoretical Divergence, edited by Michelle Lim and Kyunghee Pyun, published by Routledge in 2022. She recently launched two web-based projects during the pandemic, Return to the Source, with denisse andrade, and We Listen Nearby, as part of her Wattis residency. Hồng-Ân lives in Durham, North Carolina where she is an activist and a teacher. She is Professor at the University of North Carolina at Chapel Hill. 

Lien Truong’s art practice examines cultural and material ideologies and notions of heritage. Her work blends painting techniques, materials and philosophies, and military, textile and art histories, creating hybrid forms interrogating the relationship between aesthetics and doctrine. Her paintings have been presented in numerous exhibitions, which include the venues of the National Portrait Gallery, Nasher Museum of Art, North Carolina Museum of Art, Station Museum of Contemporary Art, Weatherspoon Art Museum, Oakland Museum of California, Art Hong Kong, Sea Focus in Singapore, and Southern Exposure. Truong is the recipient of a Joan Mitchell Foundation Painters and Sculptors Grant, fellowships from the Institute of the Arts and Humanities, the North Carolina Arts Council, the Jack and Gertrude Murphy Fine Arts Fellowships; and residencies at the Oakland Museum of California and the Marble House Project.