Facade of Protection #3

Completed

2024

Medium

collage, oil on canvas over board

Dimensions

20"x 16"

Cost

$1,100

Description

I have always been captivated by unconventional beauty, but my subject matter in the last several years in particular has continued to serve as a subtle commentary on the ever-changing landscape of Seattle – for better or for worse. Many of the boarded-up buildings and houses I've captured have since been demolished and replaced by sleek, multi-use facilities and condominiums, all in the pursuit of urban density. This transformation raises questions about whether what is being lost surpasses what is being built. Like many, I find myself overwhelmed by a deep sense of nostalgia for these places and images. They resemble postcards, but not the picturesque scenes you might expect. Their colors draw the viewer in, only for closer inspection to reveal surprises, disappointments, or even moments of recognition. I am deeply intrigued by the unique qualities that a shelter can possess, and I wonder how a structure's meaning and purpose evolve when its original intent becomes obsolete. What lingers in their spaces? What secret memories, both joyous and sorrowful, do they safeguard within their walls? Inhabited spaces carry the essence of "home." Gaston Bachelard, in "The Poetics of Space," describes a house as an "imagined vertical being," one that rises upward and differentiates itself through its verticality. It speaks to our awareness of centrality. But what about the uninhabited spaces? Do they bear the essence of the absence of presence or the presence of absence? These once-occupied homes, now vacant and forlorn, can only offer illusions of stability. They are waiting in a space of neither here nor there. I began contemplating the difficulty of waiting – simply waiting. To endure change is to reside in a profoundly uncomfortable space. To confront change over which one has no control, with no specified end in sight, presents an extraordinary challenge. In these paintings is an awareness of what it means to wait, to confront change, and perhaps even a tangible sense of hope for what changes may bring once the waiting is over.
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About this Artist

Daphne Minkoff

Daphne Minkoff was born in Baton Rouge, LA . She received her BFA from Indiana University in Bloomington, Indiana, and an MFA from the Rhode Island School of Design, with honors in painting. She currently teaches painting and drawing at North Seattle College and shows her work at the Linda Hodges Gallery in Seattle, WA. Daphne combines painting with imagery photographed during her travels and everyday life in Seattle. The images represent small “excerpts of life, a passing glance or momentary recollection of a place,” and the pairings are focused on how those things intersect. She finds unconventional beauty through disparate elements. Her work is a unique balance of the mundane and poetic, abstract and realistic, bucolic and gritty. Daphne’s paintings are a search for stability, structure or a modest moment of beauty in our crazed, unhinged world – revealing a quiet, humble truth that speaks to her.
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