McDonald’s at the house, Burger




Hand-built ceramic, glaze


6”x 8”




Through the fabrication of iconic, yet purposefully clumsy, fragile, hand-built referential pop-art objects, Supplement Archive reflects the artists’ attempt to fictionalize a more cohesive, multi-vocal narrative of black culture while refusing to concretize essentialist notions of identity into fixed indestructible, constructs. Supplement Archive moves conversations of “culture” into a fictionalized space where nostalgia and memory acts as a proxy to unknown genealogy, cultural property and/or a decidedly opaque personal history. Note: These works were featured in a pop-up show during Miami Art Basel 2019 entitled #WhoOwnsBlackArt? Which was covered in the New York Times and The Boston Globe (which mentioned the works specifically), among other publications.
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About this Artist

Chris Friday

Chris Friday

Chris Friday is a multidisciplinary artist based in Miami.   Her work serves as both a contemplative reflection of and counter-narrative to the pervasive under/misrepresentations of Blackness in mainstream media and popular culture. Friday’s portfolio features large-scale works on paper, murals, video, ceramics, projections, photography, comic illustrations, and social practice/activism through curating.  Friday’s work has been included in exhibitions locally, nationally, and internationally, including recent solo exhibitions such as “Good Times” curated by Laura Novoa and presented at Oolite Arts (2023), “One More River” presented at Austin Peay State University in Clarksville, Tennessee, and her work as part of “The Cartography Project” presented by the Kennedy Center in Washington, D.C. (2022).  Friday has received numerous awards, fellowships, and grants, including being a South Arts Southern Prize and State fellowship recipient for the State of Florida (2023), receiving a Knight Foundation “Knights Champion” support grant (2022), a “The Ellies” Creator award from Oolite Arts (2021), the…
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